You’ve done a lot of work with full spectrum photography. A lot of teams are trying to do the same. What are some of the nuances of this kind of photography?
You have to understand that what we’re trying to do is to film into those light frequencies without projecting unnecessary light into those frequencies. So these lights–full spectrum floodlights–they really go against what you’re trying to do. You’re trying to observe phenomena that occurs within those frequencies. So producing UV light starts to break down the manifestation of spirit as it starts to come into this form that we understand. So that light starts to hinder on both sides of what we appreciate as the visual spectrum.
What would you suggest then as an alternative for the floodlights?
The alternative that we’ve been using that’s shown to be successful is a low lux full spectrum video camera. This is…
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