TNT’s latest summer offering, executive produced by Kyra Sedgwick, has promise, provided that it’s offered the opportunity to grow. The life-after-death topic has not been edgy enough for prime time. In the past, audiences have responded more favorably to soap-opera drama, adult animation, and modern day fairy tales. And this subject often alienates conservative viewers with its less than glorious peek behind the veil. No saints at the gate or winged ushers to guide arrivals to the wizard in that great kingdom in the sky.
Being a realist, I am excited about this show and hope it will portray the real work doctors have done in researching the existence of an afterlife. Having studied the works of Professor Gary E. Schwartz, Ph.D., I know there is a mountain of material to support this theory. I am hopeful that some of the experiments conducted in The Afterlife Experiments and The G.O.D. Experiments will be brought to life on the small screen. Actual tests done with patients who flat-lined for a number of minutes who claimed to see and hear everything that occurred in the room after their heart stopped.
Proof follows a surgeon (Jennifer Beals) who has had her own unexplained life-after-death experiences since losing her teenage son. She remains a skeptic, as do most scientific people. But she is approached by a dying billionaire who promises to fund her disaster relief efforts should she employ her skills to aid his research. What happens to the consciousness after death? Big money is too sweet a carrot, so she’s in, but unconvinced she’ll find much. Yet, she holds a kernel of belief that her son might not be completely gone. As long as she hangs onto that ounce of reasonable doubt that physical death is not the end, she can be propelled to consider ideas she once thought preposterous.
To my own mind, I don’t believe there is proof. Proof implies tangible, physical evidence. There is no such thing when dealing with the 21 gram “soul” that science has labeled as the weight of individual human consciousness. It is not physical matter.
My fingers are crossed that the producers can do right by the subject matter, and that it finds an audience open enough to give it a chance, at least for the ten episodes it has shot.